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    May 16th Tue, 5:00 PM – 5:45 PM | kostel Panny Marie Sněžné

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    Johana Pocková & POCKetART TO THE MADONNA WITH RUST

    Dance ritual engaged with the questions of spirituality and transcendence of ordinary human existence. A movementally, visually and musically compact impression by Johana Pocková whose distinctive work saturated with poetics has been presented at Flora for three consecutive festivals.
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    Ticket price: 190 / 120 Kč
    Johana Pocková managed to hold attention and stir interest, which is to be appreciated in such a lyrical form, as well as her stage charisma and movement originality. Madonna with Rust is only about 40 minutes long, but it offers a condensed and concentrated experience that has the potential to transport us somewhere close to our souls for that brief time. And that's no small feat.
    Jana Návratová, Dance News, 29 September 2021
     
    The poetics of intuitive lyricism may not be much in vogue in the pragmatic world of contemporary art today, but it is all the more valuable for that. It refers to the happier states of our soul.
    Zuzana Smugalová, Opera+, 14 October 2021
     
     
    concept, choreography, performing Johana Pocková

    music Martin Tvrdý 
    stage design, costumes Vendula Tomšů
    light design Jiří Šmirk 
    dramaturgical cooperation Miřenka Čechová
    dramaturgical consultation Cécile Da Costa, Dora Sulženko Hoštová
    recordings of the classical music Lumír Pock
    graphic design Magdaléna Hejzlarová
    with thanks to Jan Tomšů, Tomáš Knapek
     
    coproduction Tanec Praha / PONEC-dance venue, Tantehorse, SE.S.TA – Centre for choreographic development

     

    Johana Pocková (1992) graduated from the Duncan Centre Dance Conservatory in Prague, completed a six-month internship at the Peridance Capezio Centre in New York and two years at the SEAD (Salzburg Experimental Academy of Dance). As a performer she collaborates with the groups tYhle and Tantehorse. She founded and runs the dance company POCKetART with dancer Sabina Bočková, under which she performs (not only) her choreographies, including Why Not Now?, Na Váhu! and the intergenerational experiment Full Warehouses of Emotions, where her ninety-year-old grandmother performed alongside four professional dancers and an eight-year-old girl.
    She also focuses on socio-cultural phenomena, such as media manipulation in The Lion's Den (2019) or the irreversible environmental footprint of humans in Treatment of Remembering (2020). The contribution and creative input was also recognised by the international platform Aerowaves, which included both of the above-mentioned works by POCKetART in its prestigious selection of the TOP20 best European dance works.
    The Lion's Den was shortlisted by the European platform Big Pulse Dance Alliance and was also featured in the international project Shape It!, which enables artists to work with children to transform their work for young audiences. Treatment of Remembering won the International Jury Prize and the Audience Award at the Czech Dance Platform 2021. Both performances have been shown at Flora in previous years.
     
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    photo Radek Herold